Andreea Cristea arrives at the ‘Elisa’ premiere in Venice, delivering a stunning red carpet moment that proves modern elegance can be found in the darkest of palettes. Her look is a sophisticated fusion of classic femininity and dark, dramatic flair.
Former prima ballerina Eleonora Abbagnato attends the ‘Elisa’ premiere at the Venice Film Festival, proving that the same power and grace she commands on stage translate perfectly to the red carpet. Her presence is less about a quiet entrance and more about a dazzling, kinetic arrival.
An Italian actress with a flair for quiet but powerful style, Barbara Ronchi attends the ‘Elisa’ premiere at the Venice Film Festival, delivering a study in subtle-yet-unforgettable glamour. Her look, a mix of architectural structure and delicate shimmer, proves that true sophistication lies in the details.
Consistently delivering a masterclass in elegant broadcast style, Charlotte Hawkins attends the Good Morning Britain show in a vibrant look that feels as fresh as the morning news. Her effortless on-screen presence (and frankly, impeccable wardrobe choices) once again proves that professional wear can be both chic and approachable.
Never one to shy from a moment of high-octane glamour, Elettra Lamborghini attends the 82nd Venice International Film Festival, unleashing a cascade of liquid gold on the red carpet. Her entrance—both playful and powerful—captures the very essence of Italian “dolce vita” with a futuristic twist.
Selah Luper, a rising figure on social media, debuts a series of laid-back, sun-drenched looks that perfectly capture the essence of a carefree summer—a vibe that, frankly, is a welcome departure from the relentless high-glamour (and often, high-effort) of the red carpet.
Never one to be boxed in by her on-screen personas, Madeleine McGraw’s editorial for Numéro Netherlands (a title that, it must be said, is carving out a truly unique space in the fashion world) debuts a new kind of glamorous vulnerability.
Valeria Golino’s red carpet return was anything but quiet—her abstract metallic gown fused retro futurism with operatic flair, a visual crescendo at Venice’s 82nd edition.
Never one to play it safe, Tessa Thompson’s latest editorial for S Magazine proves she is still a fashion force, deftly fusing classic sophistication with a modern, edgy sensibility. The ‘Film Issue’ spread for Fall 2025 captures the actor in a series of looks that are both aspirational and deeply personal.
Elle Fanning channels pastoral cool in Coach’s latest handbag drop—leather, motion, and a whisper of nostalgia wrapped in one windswept, cinematic frame.
