
When Sydney Sweeney stepped onto the red carpet for the Toronto International Film Festival premiere of Christy on September 5, 2025, in her custom Erdem Resort 2026 gown, I found myself in a familiar, albeit frustrating, fashion déjà vu. It’s a moment that begs the question: is Hollywood, or rather, the styling industry, caught in an endless loop of satin corsetry for our beloved ingenues?
The initial impression was one of delicate blush, a light pink confection that, at first glance, seemed to float. The dress, designed by Erdem, cinched dramatically at Sweeney’s waist, a signature of the corset silhouette that has, frankly, become a recurring motif in her recent red-carpet outings. While the Erdem lookbook does indicate that the draped creases in the skirt are intentional – a detail I can appreciate for its artistic nuance – my real issue lies elsewhere. A corset gown? Again?
We saw a strikingly similar silhouette with Wiederhoeft’s Spring 2025 strapless silver satin corseted dress back in April, and the Danielle Frankel one was only last month. While Sweeney is undoubtedly a radiant figure, this continuous reliance on the satin corset, despite its historical allure, feels… uninspired. Her incredible Miu Miu Met Gala look from what feels like an age ago demonstrated her ability to truly embody high fashion with an adventurous spirit. Why, then, this repetitive play on a single theme? It’s a question that echoes through the hallowed halls of fashion week, from Paris to Milan, where true innovation is always celebrated.
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