Rachel Brosnahan Revives Iconic Galliano Dress at CinemaCon 2025 • CelebMafia

Rachel Brosnahan channeled Carrie Bradshaw in a vintage John Galliano newspaper-print minidress at CinemaCon. Bold boots, chunky jewels—will this reboot archival fashion?

When it comes to resurrecting iconic fashion moments, Rachel Brosnahan just rewrote the playbook. On April 1, 2025, the Emmy-winning star stepped onto the CinemaCon red carpet in Las Vegas wearing a John Galliano newspaper-print dress that sent Sex and the City fans into a frenzy. A deliberate callback to Carrie Bradshaw’s legendary 2000 look, Brosnahan’s take was less whimsical rom-com, more edgy reboot—proof that archival fashion isn’t just nostalgia; it’s a strategic power move.

Styled by Alexandra Mandelkorn, Brosnahan’s vintage Galliano piece swapped Bradshaw’s ethereal slip for a black micro-mini with a sweetheart neckline and structured sleeves. The tabloid print—splashed with self-referential “‘Go-Go’ with Galliano” text—was a cheeky nod to the designer’s ego, while the skintight silhouette screamed modern confidence. Unlike Bradshaw’s strappy sandals, Brosnahan paired it with knee-high leather boots and chunky silver jewelry, trading Carrie’s breezy charm for downtown cool.

This wasn’t just a red carpet look; it was a cultural flex. In an era where TikTok dissects every fashion revival (see: the Bridgerton-core corset craze), Brosnahan’s styling team smartly avoided pastiche. The boots grounded the dress in 2025’s love affair with grunge-inflected glam, while the Hollywood waves nodded to Old Hollywood—a duality Galliano himself would applaud.

Archival fashion is having a moment, but Brosnahan’s take suggests a shift: less literal homage, more reinvention. After Zendaya’s viral Met Gala nods to Versace and Mugler, expect stars to raid fashion history—but with a twist.

This dress isn’t just a callback; it’s a challenge. As vintage Galliano floods resale sites, one question lingers: Who’s next to rewrite a fashion icon?

Was Brosnahan’s Galliano revival a fresh take or a tired rehash? And which TV fashion moment deserves a 2025 reboot?

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