Sydney Sweeney just rewrote the rulebook—again—this time swapping Christy’s wrestling ring for a sartorial knockout at the Variety Studio during TIFF 2025, where tweed met sheer audacity (and a corset refused to stay hidden).
Rebecca Ferguson’s sculptural black gown at the A House of Dynamite premiere was pure cinematic tension—high neckline, asymmetry, and a train that trailed like a plot twist.
Federica Zacchia’s white blazer dress at the A House of Dynamite premiere was a tailored twist on red carpet glamour—sharp lines, cape drama, and silver sandals that sealed the look.
Eva Herzigová’s embroidered black gown at the A House of Dynamite premiere was a masterclass in regal restraint—gold detailing, high neckline, and a walk that felt like a coronation.
Michela Persico’s blazing orange gown at the A House of Dynamite premiere was a visual crescendo—tailored heat, flowing drama, and a walk that owned the carpet.
Vera Brezhneva’s velvet gown at the A House of Dynamite premiere was pure red carpet seduction—strapless, ruched, and punctuated by a diamond kiss.
Cristina Chiabotto’s sheer lavender gown at the A House of Dynamite premiere was a soft-focus fantasy—leaf embroidery, elegant restraint, and a smile that stole the spotlight.
Carlotta Fiasella’s tailored black suit at the A House of Dynamite premiere was pure femme fatale finesse—pinstripes, plunging neckline, and unapologetic attitude.
Isis Valverde’s embellished black gown at the Frankenstein premiere was pure cinematic glamour—strapless, sparkling, and tailored to turn heads without trying too hard.
At The Smashing Machine premiere, Iryna Zhuravska’s off-the-shoulder gown fused gothic romance with floral restraint—think midnight garden meets red carpet poise.
