When Julia Roberts attends the 82nd Venice International Film Festival, you anticipate a moment. A moment of grace, of effortless chic, of that unique brand of American glamour that feels as natural as breathing. And on August 29, 2025, for the photocall of her new film, “After The Hunt,” she delivered a quiet revolution.
Julia Roberts’ appearance at the 82nd Venice International Film Festival redefined red carpet elegance. Her custom Atelier Versace gown, a masterful blend of modern sophistication and classic Hollywood glamour, captivated audiences and fashion critics alike,
Ayo Edebiri brought crisp charm and tactile sophistication to the “After The Hunt” photocall—her white coat a quiet standout amid Venice’s cinematic frenzy.
Anna Ferzetti’s photocall look for “La Grazia” was a quiet triumph—graceful tailoring, muted tones, and a silhouette that whispered rather than shouted.
Chloe Sevigny—never one to play it safe—brought Victorian mischief and modern edge to Venice in a lace-heavy look that felt part Wednesday Addams, part Comme des Garçons.
Simona Jakstaite’s one-shoulder sapphire gown—equal parts Grecian goddess and Bond femme fatale—brought high-slit heat to the “After The Hunt” red carpet in Venice.
Simona Jakstaite leaned into operatic noir—long gloves, sheer drama, and a choker that whispered danger—at the “Jay Kelly” premiere during Venice’s 82nd edition.
Ginevra Francesconi debuts a sheer, chocolate-hued gown at the Venice Film Festival, a look that perfectly balances romantic softness with a subtle, unexpected edge.
A vision in delicate pastels, Ava Max unveils an exquisitely beaded gown for the film festival, offering a moment of pure, fairytale-like glamour that’s light-years from her pop star persona.
Model Madisin Rian unveils a show-stopping, custom gown that slithers between vintage glamour and modern sensuality for the red carpet, a moment of pure whiplash chic.
