Maria Chiara Giannetta didn’t just attend the Blanca premiere — she redefined it. In belted grey suiting and a backdrop of Roman greenery, she made structure feel cinematic.
The look is built on precision. A double-breasted blazer, cinched at the waist with a belt that reads more sculpture than accessory, anchors the outfit in editorial clarity. The trousers fall straight, clean, and deliberate. The shirt — buttoned to the top — adds a layer of restraint that feels quietly powerful.
This is suiting that evokes the rigor of Phoebe Philo’s Céline and the edge of Haider Ackermann. The monochrome palette allows the cut and detailing to lead. The belt, with its metallic rings, disrupts the uniformity just enough to inject personality. It’s a fashion spread moment disguised as a press event.
No jewelry, no bag — just the belt. It’s a styling decision that keeps the focus on silhouette and proportion. The absence of adornment feels intentional, editorial, and era-aware.
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