Lisa’s collaboration with photographer Johnny Dufort for AnOther Magazine’s Autumn/Winter 2025 issue is nothing short of a visual manifesto. Across three distinct looks, she oscillates between dark Victorian drama, ethereal floral fantasy, and baroque cyberpunk—each frame a testament to her chameleonic ability to embody disparate aesthetics with effortless precision.
The first look is a gothic triumph: a black velvet dress with a high collar and ruffled epaulettes, cinched at the waist with a dramatic red bow. The fabric’s lustrous sheen contrasts with the matte black of her lace-up platform boots, while fingerless gloves and fishnet tights add a subversive edge. In her hand, a black parasol—equal parts prop and punctuation mark—completes the ensemble. The setting? A graffiti-splattered wall, the urban decay amplifying the look’s rebellious spirit.
In the second act, Lisa blossoms into a cyber-floral dream. A sheer, petal-embellished dress—its bodice and skirt adorned with circular appliqués mirroring the giant daisy sculpture behind her—feels like a love letter to surrealism. The nude tights, dotted with polka patterns, and delicate pink stilettos soften the look’s architectural rigor, while her pose—one hand resting on the flower’s petal, the other cradling her face—exudes a playful vulnerability.
The finale is baroque chaos at its finest: a voluminous yellow-and-gold jacquard gown, its exaggerated ruffles and train spilling over a checkered dance floor. The dress, paired with sheer tights emblazoned with the word “SUPERWOMAN,” is a wink to both haute couture and pop culture. Her platform sandals, strapped with chains, ground the look in Lisa’s signature streetwise energy.
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