Larsen Thompson didn’t just attend the Jason Wu Collection show — she became part of the installation. On September 14, 2025, during NYFW in Brooklyn, the model and dancer arrived in a look that blurred the line between fashion and fine art.
Her outfit — a black and white satin set with swirling abstract patterns — felt like a wearable canvas. The blouse, loose-fitting and fluid, draped effortlessly over wide-legged pants that moved like brushstrokes. The fabric’s sheen caught the ambient light, echoing the vibrancy of the surrounding artwork — reds, blues, and yellows splashed across the gallery-like backdrop.
Accessories were minimal but intentional. A small black handbag added structure to the otherwise flowing silhouette, while her long, wavy auburn hair softened the monochrome palette. Makeup appeared fresh and natural — likely a dewy base with subtle contouring — allowing the outfit’s visual rhythm to take center stage.
Her stance — poised, slightly angled — suggested quiet confidence. It’s the kind of front row fashion that doesn’t scream for attention but earns it through composition and context. In a season where designers are leaning into art references and textile storytelling, Thompson’s look felt like a nod to the Bauhaus movement — functional, expressive, and deeply modern.
Stephen Shell says
Wow Just Wow Larsen Thompson Is Just Absolutely Beautiful