At the New York City premiere of F1: The Movie, Kerry Condon didn’t chase the flash of the cameras—she absorbed it. On a gray carpet flanked by high-octane branding and motorsport bravado, Condon’s look offered a counterpoint: sleek, shadowy, and unmistakably intentional.
Her sleeveless black gown, long and lean, featured a semi-sheer textured overlay that played with light and depth. The fabric—somewhere between lace and mesh—created a subtle grid of shimmer and opacity, hinting at movement without ever losing its composure. It was the kind of dress that doesn’t scream for attention but earns it through detail.
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