Hassie Harrison and Shay Mitchell filmed Fox Baywatch reboot scenes in Venice Beach in June 2026, wearing red lifeguard swimsuits with crest details.
The red swimsuits have to carry the franchise memory. While filming a scripted ocean rescue scene for Fox’s Baywatch reboot in Venice Beach, Hassie Harrison Baywatch costume styling and Shay Mitchell wore matching dark red one-piece lifeguard swimsuits built for instant recognition and practical stunt movement.
This isn’t a real beach emergency. The frame shows a choreographed shoreline sequence, with Harrison and Mitchell helping an adolescent male character through the surf while background performers remain behind them in the water. That distinction matters, especially because the image has the urgency of a rescue without being documentary footage. The fashion read here is really a costume read: what do these suits need to say before a line of dialogue lands?
The swimsuits are close in design, but not completely swallowed by sameness. Both are cut as dark crimson one-piece suits with plunging necklines, high-cut legs, and small circular yellow-orange lifeguard emblems placed near the left hip. That crest is the small detail that does the most identification work. Without it, the red suits would still suggest beach action. With it, the frame snaps into the Baywatch visual language.
Harrison, on the left, wears her blonde hair wet and swept over one shoulder, with a black rescue strap crossing diagonally across the torso. The strap breaks the red field and gives the suit a stronger working purpose, not just a costume purpose. Mitchell, on the right, has long dark hair loose and wet from the water, with a similar black strap and a red rescue buoy in her left hand. The white rope attached to the buoy drapes through the water, which gives the scene its clearest action detail.
The suits also benefit from restraint. No extra lettering across the chest, no oversized belt, no heavy hardware. Just red fabric, the small crest, and the rescue equipment. That’s the smarter update for a modern reboot. The franchise reference is obvious, but the styling doesn’t feel trapped in a remake costume box.
Functionally, the cut has to survive movement: wading, grabbing, running, water drag. The wide shoulder straps and close fit make sense for that kind of scene, while the open neckline keeps the look tied to the original show’s visual shorthand. There’s tension there, of course. A lifeguard costume in entertainment always balances credibility with branding. This one leans into branding, but the straps and buoy pull it back toward action.
The context supports that balance. Harrison plays Nat, described in the supplied notes as an Olympic athlete and trusted right hand to the captain, while Mitchell plays Trina, a former corporate defense lawyer who becomes a full-time lifeguard. Those character notes explain the wardrobe’s clean uniform logic. The suits need to unify the cast fast, then let hair, posture, and equipment separate each role within the frame.
For celebrity photos from set, the useful fashion point is simple: costume design works fastest when one small mark identifies the world. Here, that circular hip crest matters more than any extra styling flourish. 8/10 – the red suits are expected, but the rescue gear and crest placement make the reboot wardrobe feel readable in motion.
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