Florence Pugh Wears Custom Vivienne Westwood at the East of Eden Premiere

Florence Pugh wears custom Vivienne Westwood in chartreuse and gunmetal, combining an embroidered corset, sculptural sleeves and a sweeping metallic skirt for the East of Eden premiere.

Florence Pugh wears custom Vivienne Westwood for the East of Eden New York premiere, and the look is designed for immediate impact. A vivid chartreuse corset forms the center of the outfit, covered with dark decorative embroidery and finished with a black front closure. Around it, enormous folded sleeves rise at the shoulders before dropping into exaggerated volume along the arms.

The Florence Pugh custom Vivienne Westwood look becomes more dramatic below the waist. A gunmetal grey skirt follows a close line through the hips before widening toward the floor, where the reflective surface extends into a trailing hem. The contrast is unusually forceful: acidic yellow-green above, liquid metallic grey below, with black detailing separating the two.

The silhouette depends on scale as much as color. The corseted center is narrow and sharply defined, while the sleeves push outward and upward around it. That exaggerated shoulder treatment could easily dominate the entire outfit, but the long skirt has enough visual weight to meet it. Florence’s architectural blonde updo follows the same upward direction, while the Maria Tash diamond earrings remain comparatively small beside the clothing.

Later in the evening, Florence Pugh changed into custom Vivienne Westwood for the East of Eden afterparty, replacing the premiere’s chartreuse corsetry and metallic volume with a pale blush slip silhouette and matching scarf. The contrast between the two appearances is striking: one is deliberately theatrical, the other far more fluid and restrained.

For the premiere itself, the stronger choice is the spectacle. The chartreuse sleeves, embroidered corset and gunmetal skirt all operate at the same high visual register, yet the fitted waist gives the composition a clear center. It is memorable, specific and difficult to reduce to a conventional gown formula. I would rate it 9/10 for the exceptional color-and-scale impact and the disciplined proportion between the corseted torso and expanded sleeves. Pasted text