There’s a certain magic when a gown catches the light just so—and at Richard Quinn’s London Fashion Week show, Evie Templeton embodied that moment. Her sleeveless white dress, drenched in beadwork and embellishment, shimmered with every step, a floor-length silhouette that felt both timeless and freshly modern.
The cut was deceptively simple: a fitted bodice that gave way to a flared skirt, the kind of A-line sweep that has defined elegance for decades. But the surface told another story—thousands of tiny beads and sequins stitched into a constellation of sparkle, refracting the runway’s glow into a halo of movement.
Then came the twist: silver ballet flats. In a sea of stilettos, Templeton’s choice read as deliberate, even subversive. It grounded the look in youthful ease, a reminder that front row fashion doesn’t have to teeter on six-inch heels to command attention. The flats gave the gown a whisper of fairytale innocence—think modern princess, but one who insists on dancing until the lights go out.
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