Aimee Lou Wood Graces W Magazine Summer 2025

In one striking image, Wood is a vision in bold red, sporting a Valentino blouse adorned with subtle heart motifs, its ruffled neckline and bow detail exuding a playful yet sophisticated charm. This is paired with what appears to be a high-waisted leather skirt, creating a vibrant, monochromatic ensemble. The look is crowned with a structured red hat, reminiscent of vintage military or flight attendant caps, adding an unexpected, almost theatrical flourish. Her expression, gazing upward with wide-eyed wonder, injects a sense of innocent curiosity into the high-fashion narrative. This ensemble speaks to a bold confidence, a “why not?” attitude that aligns perfectly with her personality.

Another series of images presents Wood in a dramatically different light. She embodies ethereal grace in a flowing, champagne-hued McQueen dress. The gown, with its soft drapes and elegant silhouette, channels a timeless glamour, a stark contrast to the structured red. Whether caught mid-stride on a bustling city street or poised with an almost dancer-like fluidity, Wood imbues the silk with a captivating movement. The dress, reportedly styled by Chelsea Neman Nassib, highlights Wood’s innate grace, making a sophisticated statement against the gritty urban setting.

The accompanying interview reveals a fascinating glimpse into Wood’s mind. She candidly discusses her deep desire to work on The White Lotus, stating, “I was obsessed with The White Lotus, and for so long I was trying to work on Mike White’s stuff. It’s just my favorite show in the whole world. I wanted nothing more than to work with Mike White [the creator and director of the series].” Her character, Chelsea, in the show, is described by Wood as someone who “f**ks up all the time, of course Mike’s going to create a love interest for me, and then I’m gonna fall and then kill her!” This self-aware humor and raw honesty resonate through the editorial, grounding the high-fashion imagery with genuine personality.

Wood also delves into her experience with the Enneagram test, humorously recalling, “All the members did the Enneagram test to figure out our personalities. Did you take it? Well, I’m a two. My character is like Chelsea. In every conversation, she tries to relate to what she’s doing to astrology and Mike’s version of that is the Enneagram.” This insight into her process and her playful take on self-discovery further endears her to the reader.