Sadie Sink’s Marilyn Minter portrait for The New Yorker is a fog-drenched fantasy—voluminous curls, glistening lips, and earrings that practically echo through the mist.
Sadie Sink doesn’t just appear on the cover of The New Yorker—she detonates across it. In Marilyn Minter’s September 22, 2025 portrait, Sink is transformed into a high-gloss vision of surreal glamour, equal parts Warhol muse and modern siren.
Her voluminous red curls explode outward like a halo of firelight, rendered with painterly precision that feels both vintage and futuristic. The hair alone could headline a show at MoMA—bold, unapologetic, and unmistakably hers.
The makeup is pure drama: shimmering eyeshadow that catches the light like crushed gemstones, bold red lipstick with a lacquered finish, and skin that glows through the fogged glass effect like a Renaissance portrait dipped in neon. It’s beauty as spectacle, but with intention.
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