It’s January 17th, 2002, and the BBC’s Top of the Pops stage is pulsing with fluorescent light, fog machines, and the unmistakable silhouette of Britney Spears—mid-stride, mid-note, mid-cultural takeover. Performing “Overprotected” in London, Spears didn’t just sing; she staged a visual manifesto for early-2000s pop: metallic, kinetic, and unapologetically synthetic.
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