Myleene Klass Attends London’s Gianni Versace Retrospective

Her look? A vibrant red midi dress with puffed sleeves and a plunging V-neckline, cinched at the waist with a gold chain belt that felt more Roman than retro. The skirt flared just enough to suggest movement, but not drama. It was Versace-coded without being literal—a nod to the house’s legacy of sensual tailoring and unapologetic glamour.

Then came the twist: pointed yellow court heels. Neon, almost acidic. A jolt of color that shouldn’t have worked—but did. She paired them with a cobalt blue clutch, creating a palette that felt lifted from a Warhol screenprint. The accessories didn’t match. They conversed.

Hair was tousled, not teased—soft waves that framed her face with ease. Makeup leaned neutral, letting the outfit speak. And it did. Loudly.

The setting—a cavernous space beneath London Bridge—was lined with over 450 original Versace pieces, including archival looks worn by Princess Diana, Kate Moss, and Elton John. But Klass held her own. Her ensemble didn’t compete with the retrospective; it complemented it. A living echo of the brand’s ethos: bold, beautiful, and a little bit brash.

Is this the new red carpet formula? A clash of primary colors, anchored by classic silhouettes?