Lily Collins Attends Wimbledon Final in Sculptural Calvin Klein and Whiplash Flats • CelebMafia

Never one to default to Centre Court’s prim-and-proper playbook, Lily Collins brought a crisp, kinetic edge to Wimbledon’s closing day—her sculptural Calvin Klein dress and double-strapped Mary Janes telegraphing a new kind of “quiet power” (with a wink to the front row).

On the final Sunday of Wimbledon 2025, Lily Collins—campaign star for Calvin Klein and perennial fashion risk-taker—delivered a lesson in modern minimalism with a twist. Arriving as a guest of Champagne Lanson alongside her husband, filmmaker Charlie McDowell, Collins stepped out in a cream-hued shirt dress from Calvin Klein’s Fall 2025 collection: all clean lines, asymmetric pleats, and an oversized collar punctuated by grommeted closures. The silhouette was sharp but not severe, softened by rolled sleeves and a subtle cinch at the waist—think “tailored ease” rather than boardroom stiffness.

But it was her footwear that quietly stole the show. Collins opted for Souliers Martinez’s Flamenca White Leather Ballerina flats—a cult-favorite Mary Jane silhouette with double ankle straps and polished gold sphere buckles. Made in Spain, the Flamenca’s squared almond toe and low block heel brought a geometric counterpoint to the dress’s fluidity, while the gold detailing doubled as both ornament and fastening—a functional flourish that set the look apart from Wimbledon’s usual parade of demure pumps and strappy sandals.

Accessories were kept to a disciplined minimum: a classic Hermès Birkin bag, Cartier’s Clash de Cartier bracelet and earrings—each piece echoing the outfit’s interplay of structure and subtle rebellion. The jewelry’s signature studs and the Birkin’s architectural lines amplified the mood without tipping into excess.

The atmosphere courtside was classic British summer: lush greenery, champagne flutes, and the low hum of anticipation as Italy’s Jannik Sinner clinched the men’s singles title over Spain’s Carlos Alcaraz. Yet Collins’s look—equal parts American minimalism and continental cool—felt like a subtle referendum on the new codes of event dressing. Is this the future of “tenniscore”? Or just Collins, once again, playing by her own rules?

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