Look 1: The Oversized Coat & Jar
For the cover of HommeGirls Volume 14, Maya Hawke appears seated cross-legged in an oversized dark gray coat, holding a small glass jar with a green plant. The styling is stark, the background neutral, and the mood contemplative. Shot by Nick Sethi, the image evokes a quiet rebellion—fashion as introspection.
The coat’s exaggerated proportions and Hawke’s grounded pose suggest a retreat from spectacle, embracing the editorial trend of quiet maximalism. The jar, seemingly mundane, becomes symbolic: a vessel of growth, fragility, and control.
Look 2: The Shearling Crown & Fur
In a second image, Hawke sits among scattered twigs wearing a brown textured fur coat with a large beige shearling collar, paired with black sheer tights and black footwear. Her head is adorned with a crown made of intertwined twigs, transforming the scene into a woodland tableau.
This look channels ritualistic surrealism, where fashion meets folklore. The crown, primitive yet poetic, reframes Hawke not as a model, but as a mythic figure—part queen, part creature. The contrast between the luxe coat and the raw branches creates tension: civilization vs. instinct, comfort vs. chaos.
Look 3: The Leather Skirt & White Shirt
Another frame shows Hawke lying on a white sheet-covered couch, wearing a long, dark brown leather skirt with a glossy finish and a loose white button-up shirt, partially unbuttoned to reveal her midriff. A beige drawstring handbag sits beside her, while a black frayed object anchors the composition.
This look plays with editorial dishevelment—the shirt undone, the skirt structured, the pose relaxed. It’s a study in contrasts: polish and ease, control and surrender. The handbag, placed casually, becomes part of the narrative rather than a product placement.
Look 4: The Pleated Pink Dress
Standing against a metallic shutter, Hawke wears a short, sleeveless light pink pleated dress with a tied waist, paired with off-white pointed-toe heels. The urban backdrop and concrete sidewalk inject a dose of street fashion realism, grounding the otherwise delicate look.
Here, the dress lifts slightly in front, revealing movement and spontaneity. It’s a moment of editorial flirtation, where the model becomes a passerby, the shoot becomes a scene.
Look 5: The Robe & Chandelier
In a final image, Hawke lies on a white couch with legs raised, wearing a brown textured robe. A chandelier rests beside her feet, and pointed-toe heels sit on the floor. The composition is surreal—elegance misplaced, domesticity disrupted.
The chandelier, typically suspended, becomes a grounded object, suggesting a collapse of hierarchy. Hawke’s pose, relaxed yet theatrical, turns the robe into anti-glamour armor—a garment of comfort worn in a world of absurdity.

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