Kylie Cantrall wore a sculpted leather corset dress with oversized buckle hardware for a Thom Kerr Grammy editorial photoshoot in February 2026.
For her Grammy 2026 editorial photoshoot with Thom Kerr, Kylie Cantrall leaned all the way into industrial glam—edgy, exaggerated, and tightly controlled. The look? A strapless black leather corset top sculpted like armor, clinched with three oversized crystal-trimmed buckles shot straight down the bodice. There’s an undercurrent of cyberpunk here—slick but dangerous—with each buckle glinting like a jewel freshly ripped off a machine. Sharp tailoring flares at the hip, peplum-style but in hard textures, cutting the waist with intention.
Below it, a curve-hugging black pencil skirt, matte, ankle-grazing, no slits, no distractions. The body does the talking. On her feet? Pointed stilettos, black with a side cutout—not soft pumps. They bite. Like punctuation.
Her styling dials it up further. High pigtails, slicked and parted clean with just enough attitude to throw it all slightly off-center. Chunky crystal earrings, massive but intentional. Stacked rings. Nails painted in near-metallic cherry. Eyes smoked and sideswept. Lips deep, wine-toned. There’s no sweetness here, only statement.
This wasn’t a red carpet moment in soft lighting—it was a high-pressure studio portrait designed to catch edges. The whole look isn’t meant to flatter—it’s meant to strike.
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