At the Nouvelles Vagues closing ceremony in Biarritz, Kristen Stewart wore a Chanel tweed suit with bikini top, thigh slit, and loafers.
The slit is doing more work than the jacket. Kristen Stewart attended the closing ceremony of the 4th Nouvelles Vagues International Biarritz Film Festival in Biarritz, France, on June 27, 2026, wearing a Chanel Resort 2027 tweed skirt suit over a black bikini-style bra top with polished black loafers.
The Chanel tweed jacket has the clearest brand language: textured navy, white, and grey weave, gold buttons, structured shoulders, and a slightly open, pushed-back attitude. The *speckled tweed surface* photographs well against the orange festival backdrop because it gives the black-and-blue palette some movement instead of flattening into a dark block.
But the jacket is also where the look starts to fight itself. The sleeves are pushed and wrinkled, the shoulders sit broad, and the open front exposes the small black bra top underneath. That contrast is very Stewart-coded, but it is not especially clean. The look wants to be formal and undone at the same time, and the tension is visible.
The black triangle top is the sharpest interruption. Its small gold Chanel logo ties it back to the suit, but the shape changes the whole read from classic skirt suit to deconstructed red carpet uniform. In Kristen Stewart Chanel red carpet style terms, that is the point: she is not wearing Chanel politely. She is pulling it toward her own vocabulary.
The matching pencil skirt is stronger than the jacket because of the thigh-high asymmetrical slit. Without that opening, the skirt might have looked too strict under such a rebellious top half. The *side slit* gives the lower section movement and keeps the tweed from becoming heavy. Still, the knee-length cut plus black waistband creates a hard horizontal break, so the silhouette does not fully lengthen.
The black loafers are practical, flat, and deliberately anti-glamour. They suit Stewart’s attitude, but they also cap the look’s red carpet energy. A sharper heel would have made the slit more forceful; the loafers make the outfit feel more defiant than elegant.
The wet-effect hair and smoky eye are useful here. They match the looseness of the jacket and stop the suit from becoming too respectable. Within celebrity red carpet dressing, this works as controlled disobedience, not polished ceremonywear.
7/10 feels accurate – the slit and bra top give the Chanel suit an edge, but the pushed jacket and flat loafers keep the finish more rebellious than fully resolved.
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