On the Durango set in Vancouver, Kathryn Newton wore rhinestone-trimmed grey layers and True Religion sweatpants that reveal more about Bunny than polished street style would.
The sweatpants tell the story. Kathryn Newton stepped onto the Vancouver set of Hulu’s *Durango* pilot on July 8, 2026, wearing a cropped studded hoodie, low-slung True Religion sweats, and dark purple ribbon-laced boots. Kathryn Newton in Y2K character styling fits Bunny’s guarded runaway characterization through comfort, visible branding, and decoration that refuses to look neatly coordinated.
The grey base keeps the outfit from breaking apart. Her hoodie sits close through the torso and stops above the waistband, giving the baggy trousers enough room without adding more bulk. Blue and silver studs run down the front and sleeves, while blue piping traces the patch pockets. A striped knit band finishes the hem. That is already a lot of detail for one cropped layer, yet the dark material prevents every embellishment from shouting at once.
A pale mint top appears at the neckline, joined by a small cherry pendant. Neither item controls the look, but both add to its slightly homemade mix of sweet and tough. The cherries echo the playful side of the rhinestones. The washed green neckline also interrupts the two greys before the eye reaches the low waist. Without that small color break, the hoodie and sweatpants could have looked like a mismatched tracksuit.
Then come the trousers. Their thick elastic waistband sits low, and the wide legs carry a large pink glitter True Religion logo down one side. Branding at that scale can flatten a look into pure nostalgia bait. Here, it works better as character information because nothing around it looks newly coordinated or precious. The loose cut has the weight and slouch of something chosen for comfort, while the glitter lettering insists on being noticed.
The proportions mostly hold. A compact hoodie over wide sweatpants is a familiar equation, but the exposed gap at the waist stops the volume from swallowing the upper half. The trousers hang with enough room to create folds without turning shapeless. Still, the low waistband, large leg graphic, and striped hoodie hem divide the middle into several horizontal and vertical signals. It is busy by design, though not every part needs to compete this hard.
Dark purple boots with broad ribbon laces push the outfit away from standard set-day loungewear. They are heavier than sneakers would have been, and the soft surface clashes a little with the rhinestones and glitter print. But that awkwardness has value. Clean white trainers would make the clothes easier and much less specific. The boots give Bunny’s styling a stubborn, personal finish, even as they drag the lower half down.
Calling this celebrity style rather than an off-duty look matters because Newton is on a working set and the clothes support her character in a Gen Z romantic drama. The Y2K details aren’t there only to chase nostalgia. They establish someone drawn to visible labels, sparkle, comfort, and choices that don’t need adult approval.
Loose blonde waves fit that same logic. The hair has volume but no severe finish, so it doesn’t fight the cropped hoodie or make the clothes look prepared for an arrival shot. The beauty direction leaves the outfit rough around the edges. That restraint helps the costume hold together.
The cropped top and oversized trousers make the proportions convincing enough for 7/10. The purple boots add character, but the stacked trim, studs, glitter logo, and ribbon laces leave almost no quiet area. Bunny’s mess is the point.
Share what you think