Iris Apatow and Coco Arquette at Veronica Beard x CFDA Event NYC

Iris Apatow and Coco Arquette attended the Veronica Beard and CFDA Scholarship Endowment Event in New York on February 3, 2026.

At the Veronica Beard and CFDA Scholarship Endowment gathering in New York, Iris Apatow and Coco Arquette kept things soft, clean, and quietly expressive. No posturing. No overdressing. Just two young women with a clear grip on their personal aesthetic—and no rush to scream it.

Coco Arquette: Soft Bits of Vintage Memory

On the left, Coco brought something sweet that whispered 1960s Sunday-morning television—a cream lace mini dress covered in cotton florals and scalloped at the hem. It’s long-sleeved, fully lined, and softly boxy through the shape—more shift than sheath. Beneath? White opaque tights that feel almost cartoon-cute in their opacity. The look is grounded in black patent Mary Janes, modest in heel, round in toe.

Her only accessory—a structured white top-handle bag—feels like something borrowed from a grandmother’s front closet. Hair worn proper. Slightly flipped under. The whole thing could have gone too precious. But it doesn’t. There’s a wink buried there somewhere beneath the polish.

Iris Apatow: Relaxed, Sharpened, Neutral Clarity

Iris, on the right, drifted toward the tailored end of the event appearance spectrum. She wore a loose beige pantsuit, the jacket classic single-breasted but slumped ever so slightly at the shoulders and cuff, like it had already survived a long day—or was meant to look like it had. Underneath: a plain white tank, fitted. Nothing trying too hard. The pants are wide, near pooling, and softly pleated at the waist with slouch more than structure.

Black platform derby-style shoes give the gesture just enough weight—not formal, not quirky, just present. She wore her hair down and unfussed. Makeup matte and rinsed. Earrings minimal. The whole look lands like a nod to New York 1995, but seen through today’s anti-loud lens.

Together, their looks sit in two opposing corners: one reaching back in decades, the other relaxing into the now—and both refusing to overwork the moment.