Hoyeon Jung wears three Louis Vuitton looks for AnOther Magazine, shifting from shaggy grey knitwear to saturated red layers and an architectural ruffled dress.
Hoyeon Jung appears in AnOther Magazine Autumn/Winter 2026 wearing Louis Vuitton across a series of deliberately contrasting looks. One combines a cropped shaggy grey knit with vivid red trim, a short illustrated skirt and glossy red pumps; another shifts into saturated red and pink layers beneath an oversized tan hat; the third uses black, brown and cream in a more architectural dress with ruffled edging.
The first look gives Hoyeon Jung in textured Louis Vuitton knitwear the most graphic outfit of the set. Red bands cross the grey surface of the cropped knit, while the skirt carries a figurative animal panel above a blocky hem. A shearling-trimmed sculptural hat exaggerates the silhouette further, and the matching red pumps repeat the brightest color in the clothes. Hay bales and a small goat extend the rustic visual language beyond the outfit itself.
The second portrait changes both scale and palette. Jung wears a voluminous red top with bright pink trousers and the same oversized hat, photographed with a long branch against a blue-sky backdrop. For the AnOther Magazine fashion editorial, the combination is less about conventional polish than strong shape and theatrical color: broad sleeves, saturated red, pink legs and the exaggerated hat all occupy substantial visual space.
The third look is quieter in color but more complicated in construction. A black upper section is bordered by cream ruffles and red accents before opening into an asymmetric brown-and-cream skirt. A wide studded metallic collar sits high at the neck, while pointed pale pumps and a small dog on a leash complete the portrait. Across the three images, Katie Shillingford’s styling and Roe Ethridge’s photography treat Louis Vuitton as a wardrobe of changing characters rather than one repeated fashion formula.
The editorial earns 9.4/10 for its clear separation between three silhouettes and its unusually coherent mix of texture, saturated color and surreal rural staging.
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