Hannah Dodd's Cinematic Style in Square Mile • CelebMafia

Hannah Dodd, fresh off her turn in Bridgerton, commands the spotlight in a cinematic editorial for Square Mile magazine’s 2025 Issue 202. The British actress transitions from Regency glamour to a series of bold, fashion-forward statements that feel pulled from a film set. The images, shot by Kyle Galvin, offer a rich tapestry of textures and silhouettes—a “Velvet Rebellion” of sorts, where classic sophistication collides with unexpected, modern twists.

In the cover shot, Dodd appears shrouded in a dramatic crimson curtain, her gaze direct and confident. She wears a black garment with a ruffled, layered collar that evokes a modernized Pierrot. The bodice is a web of intricate, almost skeletal beading that bares the shoulders, a detail that feels both delicate and daring. The look’s romantic intensity is balanced by her understated makeup and simple gold hoop earrings, a styling choice that keeps the focus on the theatricality of the ensemble itself.

A second image captures a different mood entirely. Dodd, with papers fluttering around her, debuts a more androgynous, layered aesthetic. She wears a crisp white shirt with a black bow at the neck, topped with a structured jacket that features utilitarian-style sheer pockets and sleeves. It’s an outfit that feels both playful and polished, a “Cyber Romance” that marries schoolgirl charm with a futuristic edge. This look, a clear departure from her on-screen persona, unveils a versatility that speaks to her rising status as a fashion icon.

Another shot sees Dodd in a vibrant, all-red ensemble: a blouson top with a high-neck bow and matching shorts. She strikes a confident pose, leaning on a dressing table surrounded by vintage-style bulbs. Her white fishnet stockings and red patent heels with a delicate strap add a layer of texture and a hint of Old Hollywood allure, a reference that feels both nostalgic and utterly of-the-moment. She exudes an air of backstage readiness, a quiet confidence before the curtain rises.

Rounding out the editorial, Dodd is seen wearing a chic, double-breasted navy blazer with distinctive heart-shaped, gold-embellished buttons, paired with a red pillbox hat adorned with a black bow. This look, with its precise tailoring and bold color palette, is a masterclass in controlled eccentricity. Is this a nod to Wes Anderson’s whimsical style? Perhaps. But it’s certainly an arresting visual, one that cements her as an actress unafraid to experiment with her public image.

So, is Hannah Dodd’s Square Mile editorial a curated glimpse into her style evolution—or just proof that she can embody any character, on or off screen?

Hannah Dodd’s Cinematic Style in Square Mile

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