Eva De Dominici explores structural contrast in her Ohlala Magazine January 2026 editorial. From an ivory braided corset to slouchy denim boots, stylist Luna Mazzeo defines the silhouette. And one architectural detail anchors the whole story.
Eva De Dominici knows how to let construction speak. In her latest editorial for Ohlala Magazine, released in January 2026, the actress moves through three distinct moods, each defined by a specific tension between fabric and form. The shoot, titled “Hollywood es una competencia constante” (Hollywood is a constant competition), captures her at age 30, reflecting on her role in The Cleaning Lady and life in Los Angeles. But it’s the styling by Luna Mazzeo that really holds the frame.
Eva De Dominici in Ivory Braided Corset – Architectural Structure
The opening look is a study in precision. She wears an ivory strapless ensemble that functions less like clothing and more like sculpture. The top is a braided corset—reminiscent of Cassis or Sienna designs—featuring a sweetheart neckline and distinct vertical boning. This creates a semi-sheer, architectural effect that structures the torso without hiding it. It’s rigid, yet the sheer panels keep it from feeling heavy.
Below, the high-waisted wide-leg trousers (similar to Elsa or Fatima Satin styles) offer a soft counterpoint. They pool at the ankles, where unique tie-details create a flared, almost ceremonial hem. The contrast here is key: the upper body is locked in place, while the lower half flows. Notice the way the fabric drapes from the hip? That’s not accidental. It’s a deliberate break in the line that keeps the silhouette from becoming too stiff. The black sandals peeking out ground the look, adding just enough darkness to anchor all that white.
Eva De Dominici in Navy Denim Mini Dress – Slouchy Volume
Then, the mood shifts. The second look leans into the “denim-on-denim” resurgence, but avoids the cliché by playing with proportion. She wears a navy blue strapless denim mini dress with a raw-edge hem. It’s fitted, simple, and direct. But the real story is the footwear.
She pairs the dress with oversized, slouchy over-the-knee denim boots. These aren’t sleek; they’re gathered, textured, and intentionally messy. The ruching around the knee and calf adds volume that contrasts sharply with the slim cut of the dress. It’s a risky move—balancing a mini hem with maximum leg coverage—but it works because the materials match. The delicate gold choker and statement ring add a touch of refinement, preventing the denim from feeling too casual. This is about attitude. The pose, leaning forward with hands on knees, emphasizes the boots’ bulk. It’s playful, almost aggressive in its comfort.
Eva De Dominici in Tan Silk Draped Dress – Soft Glamour
The final image brings the focus back to intimacy. Here, she wears a tan silk draped dress with thin straps. The fabric is fluid, catching the light with a subtle sheen that feels warm and organic compared to the previous stark white and navy. The cowl neckline drapes softly across the chest, creating gentle folds that suggest movement even in a still photo.
But the accessory choice is what defines this shot. She wears oversized, sparkling crystal-encrusted hoop earrings. They’re bold, circular, and bright, drawing the eye immediately to her face. With her hair pulled back into a low ponytail and loose strands framing her cheeks, the earrings become the focal point. There’s a small tattoo visible on her neck, adding a personal edge to the glamour. This look feels the most “her”—sophisticated, but with a hint of rebellion. It’s less about the clothes and more about the presence.
Photographed by Micaela Bianchi and coordinated by Leo Pereira of Look1 Models, the spread balances avant-garde structure with wearable elegance. Each outfit tells a different part of the same story: control, volume, and grace.
Which piece would you actually wear? The structured corset demands confidence, but those slouchy denim boots feel like the real trendsetter here.
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