
Anya Taylor-Joy moves through plush tailoring, scalloped layers and luminous white draping for ELLE UK, making softness feel sculptural rather than fragile.
Anya Taylor-Joy’s September 2026 ELLE UK editorial treats softness as a material with weight, resistance and shape. Across four images photographed by Yulia Gorbachenko, plush outerwear, scalloped layers and white draping don’t simply decorate the body. They expand, fold and push into the studio space.
The grey coat look establishes that idea through contrast. Its broad collar, oversized cuffs and rounded hem create a dense upper shape, while the white garment beneath breaks into suspended loops and gathered folds. On Anya Taylor-Joy in ELLE editorial styling, the coat appears heavy enough to contain the lighter fabric, yet the white layers continue spilling below it.
A black-and-white look turns repetition into architecture. Scalloped panels stack across the chest and skirt, with dotted embellishment tracing every edge. The volume is concentrated around the torso before narrowing toward the legs, creating a controlled hourglass without relying on a smooth fitted surface. Each tier remains individually legible.
The grey textured knit and white layered skirt offer the set’s most unusual shift in posture. Taylor-Joy leans forward across a reflective blue platform, allowing the white scallops to trail behind her while the dense sweater projects outward at the sleeves. Here, the clothes aren’t presented frontally. Their shape is tested through extension and movement.






The ELLE UK cover brings the argument to its clearest conclusion. Black straps frame a white dress covered in beaded, frilled and irregularly finished surfaces, while Taylor-Joy gathers the fabric against her chest. The deep blue backdrop and acid-green masthead make the pale garment appear brighter, turning the cover into the sharpest celebrity fashion editorial image in the set.
What connects these looks isn’t one color or one garment type. It is the refusal to let delicate materials remain passive. Fur-like texture, scalloped panels, sequined cloth and draped white layers all occupy space with real force.




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