Anne Hathaway arrived at the Mother Mary screening in London, April 2026, wearing a structural black piece with a web-like bodice that deserves a closer look.
That bodice isn’t just fabric. It’s a literal lattice of construction. When Anne Hathaway arrived at the London screening for Mother Mary this April, she didn’t just walk—she brought a technical masterclass in texture.
The top portion of this Iris Van Herpen piece is what catches the eye first. It’s not just a neckline; it’s an intricate web of material that looks like it’s been mapped to her skin. The way the web-like details sit against the illusion mesh is the kind of specific craft that most red carpet looks miss.
Then, there’s the skirt. Where the top is rigid and architectural, the bottom is all liquid movement. The deep pleats flow with every step, grounding that airy, structured top half. It’s smart. The contrast between the stiff, graphic bodice and the fluid, dark fabric below makes the whole look feel intentional rather than just theatrical.
For more angles of the intricate details, the full set sits in celebrity photos—that bodice is worth the zoom. It’s complex, it’s challenging, and frankly, it’s exactly what the premiere called for.
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