Ana Girardot wears a black openwork midi dress in Deauville, where repeating chevron texture and two-tone pointed pumps turn a restrained silhouette into something more graphic.
Ana Girardot wears a sleeveless black midi dress for the opening red carpet at the 52nd Deauville American Film Festival on September 4, 2026. The close silhouette is covered in repeating openwork chevrons from the round neckline through the skirt, with a small flared finish at the hem. Black-and-white pointed pumps provide the only strong color break.
The surface of Ana Girardot’s black openwork midi dress does most of the work. The repeating diamond-like openings create alternating bands of opaque black and visible spacing across the body, while the straight sleeveless shape keeps that pattern easy to read. Near the ankles, the hem turns outward into a restrained flounce instead of continuing as a strict column.
The shoes are an effective second idea rather than an afterthought. White sections sit above glossy black pointed toes, producing a crisp graphic contrast beneath the monochrome dress. Girardot wears her blonde bob in soft side-parted waves, with small ear jewelry and minimal rings.
At the Biarritz Film Festival in June, Ana Girardot wore a black Chanel Pre-Fall 2026 gown with a plunging neckline. Deauville returns to black, but the current look is defined by repeating openwork texture, a midi proportion and sharply contrasting footwear.
The outfit is strongest where restraint and detail meet: the silhouette stays simple enough for the chevron surface to remain legible, and the two-tone pumps give the lower line a clean visual punctuation. At 8.7/10, the openwork construction and black-and-white footwear contrast are the decisive strengths.
Share what you think