Amanda Seyfried attended the screening of The Testament of Ann Lee at the London Film Festival on October 11, 2025. She appeared in a strapless black Richard Quinn Fall 2025 gown, its voluminous skirt broken by a dramatic white tulle panel running down the center. A sculptural white rose detail at the bodice anchored the look, balancing theatricality with restraint. She paired the gown with Aquazzura Be Mine Sandal Plateau heels and Tiffany & Co. jewelry, including the Victoria Necklace in platinum with a pear‑shaped diamond and diamond stud earrings. The ensemble was completed with a sleek updo and understated makeup, allowing the gown’s architecture to dominate. As one of the most enduring figures in celebrity style, Seyfried’s choice underscored her ability to merge red carpet tradition with modern couture drama.
The gown’s silhouette and floral centerpiece recall haute couture’s long history of using roses as symbols of femininity and fragility, from Dior’s post‑war “New Look” to Valentino’s romantic flourishes. Yet Quinn’s interpretation is less about nostalgia and more about spectacle — a reminder that film festivals are as much about fashion theater as cinema. Seyfried’s decision to wear a British designer at a London event also signals cultural alignment: a gesture of respect to the host city’s fashion ecosystem while reinforcing her own cosmopolitan image.

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